Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. Hoover’s ( November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.Īt first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers Ryle Kincaid is a surgeon who says he never wants to get married or have kids. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life. McQuiston’s strength is in dialogue her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. Although the story’s premise might be a fantasy-it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election-the emotions are all real. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after-how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.Īlex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared.
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